Dior

Jonathan Anderson’s Dior Cruise 2027, staged inside Peter Zumthor’s still-warm David Geffen Galleries at LACMA on 13 May 2026, is the first Dior cruise show in Los Angeles since Maria Grazia Chiuri’s 2018 collection in the Upper Las Virgenes Canyon and the first ever directed by a creative director who simultaneously runs Dior menswear, womenswear and haute couture. The Jonathan Anderson Dior Cruise debut closed a thirteen-year arc that began at Loewe in September 2013 and routed, in just over twelve months, through three Dior appointments, the dissolution of the Chiuri-Kim Jones two-house structure, and the handover of the Loewe Foundation Craft Prize to a new pair of artistic directors at Madrid. ...

The cruise 2026 creative director turnarounds are the season the post-Sarno, post-Kim-Jones, post-Tisci creative resets stop being announcements and start being read commercially. Demna at Gucci, Jonathan Anderson at Dior, Daniel Lee and Joshua Schulman at Burberry, and Matthieu Blazy at Chanel have between them produced the most concentrated wave of artistic-director changes the four flagship houses of European luxury have ever shared in a single calendar year — and the Q1 2026 earnings prints arrived on the same desks as the cruise images. Business of Fashion’s 10 May briefing — “Gucci, Dior, Burberry: A Tale of Three Turnarounds” — named the three explicitly. The fourth, Chanel, is private and unrated; the fifth and sixth, Balenciaga and Versace, sit inside Kering and the Prada Group; and the cohort underneath them — Sarah Burton at Givenchy, Louise Trotter at Bottega Veneta, Duran Lantink at Jean Paul Gaultier and Glenn Martens at Maison Margiela — extends the same logic down the holding-company chart. ...