Konstantin Grcic's exhibition-design practice from Panorama at Vitra Design Museum 2014 to Pauline Deltour: An Apparent Simplicity at MADD Bordeaux 2026

Konstantin Grcic Exhibition Design, 2009–2026

Konstantin Grcic’s scenography for “Pauline Deltour: An Apparent Simplicity”, the roughly 180-object survey of his former assistant that opened at MADD Bordeaux on 22 April 2026, is the seventh major exhibition the Munich-born industrial designer has co-curated or staged since 2009, and the first in which his role is to memorialise rather than to introduce. Co-curated with Bérengère Bussioz, Caroline Perret and Etienne Tornier, the show is one of the inaugural exhibitions of the partial reopening of the Musée des Arts décoratifs et du Design at 39 rue Bouffard in Bordeaux, and the clearest demonstration to date that Konstantin Grcic exhibition design is a second body of work running parallel to his industrial output for Magis, Vitra, Plank and Mattiazzi. ...

May 16, 2026 · 18 min · 3623 words · FORMA Editorial
Frank Gehry residential lineage — Gehry Residence, Santa Monica (1978), Sirmai-Peterson House, Thousand Oaks (1983–88), and Vitra Design Museum, Weil am Rhein (1989)

Frank Gehry Sirmai-Peterson to Vitra, 1978–1989

The Sirmai-Peterson House — Frank Gehry’s 1983–88 cluster of cubic pavilions in Thousand Oaks, California — sold quietly in 2026, the last Gehry residence in private hands designed before his 1989 Vitra Design Museum commission redirected him toward institutional architecture. The Frank Gehry Sirmai-Peterson sale, reported by Wallpaper on 27 April 2026 and brokered by The Value of Architecture, closes a small and specific chapter in Los Angeles residential history. Between his own Gehry Residence at 1002 22nd Street in Santa Monica, completed in 1978, and the Vitra Design Museum that opened in Weil am Rhein in 1989, Gehry built a handful of private houses in greater Los Angeles that effectively served as full-scale models for everything that came after. The Sirmai-Peterson House — designed with Greg Walsh, completed five years after it was commissioned, and sited on a sloped, oak-studded hillside overlooking a pond — is the last of those experiments to change hands. Its sale to a medical professor and his wife, who plan roof repairs but have committed to preserve the design, is also a hinge: the moment at which the residential lineage that produced Gehry’s institutional career is finally treated as architectural patrimony rather than as a place to live. ...

April 30, 2026 · 14 min · 2831 words · FORMA Editorial

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