Sou Fujimoto's ribbed House of Dior Shinsaibashi facade, Peter Marino's interiors, and Alex Chinneck's Manhattan and Beverly Hills window sculptures

Dior 2026 Stores: Fujimoto, Marino, Chinneck Map

Dior’s 2026 store programme runs three architects in parallel — Sou Fujimoto’s ribbed Shinsaibashi facade in Osaka, Peter Marino’s drapery-lined interiors in New York and Beverly Hills, Alex Chinneck’s 14 knotted-clock window sculptures across both — and the throughline of the year is that Marino, the maison’s architect-of-record since 1997, is now choreographing other people’s gestures inside his own retail architecture. The Dior 2026 stores are not a single building or a single signature; they are a programme that puts a Japanese name-architect on a flagship envelope in Osaka and a British sculptor on the windows of two American boutiques within a week of each other in late May, while keeping every interior under one continuous Marino hand. Read together, the three fronts are the clearest articulation in years of how LVMH’s largest fashion house thinks about retail as architectural patronage rather than as identikit rollout. ...

May 31, 2026 · 14 min · 2796 words · FORMA Editorial
Sou Fujimoto's ribbed undulating facade for the House of Dior Shinsaibashi in Osaka, with Peter Marino interiors and an Anne-Sophie Pic restaurant on the upper floor

Sou Fujimoto's Dior Shinsaibashi: Drapery in Stone

Sou Fujimoto’s House of Dior Shinsaibashi opened in Osaka on 21 May 2026 as the third star-architect Dior maison in East Asia in 23 years, after SANAA’s Tokyo and Christian de Portzamparc’s Seoul. The new four-storey flagship in the Shinsaibashi-suji shopping district wraps a ribbed, undulating facade — Fujimoto’s reading of haute couture drapery — around interiors by Peter Marino and an upper-floor restaurant by Anne-Sophie Pic. Dior Shinsaibashi is the most architecturally legible chapter yet in LVMH’s 23-year campaign to commission named architects for its Asian flagships rather than fit out anonymous retail shells. ...

May 28, 2026 · 13 min · 2744 words · FORMA Editorial

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