Theaster-Gates

The Obama Presidential Center opens to the public on Juneteenth 2026 at 6001 S Stony Island Avenue, eleven years and seven blocks north of the 1923 bank at 6760 S Stony Island that Theaster Gates restored in 2015 as the inaugural Chicago Architecture Biennial venue. Read together, those two addresses sketch the spine of a sustained Chicago South Side cultural patronage campaign that runs along a single avenue and binds an artist-led nonprofit, a presidential foundation and a New York architecture studio into one continuous urban project. The shape of the answer to “what happened on the South Side between 2015 and 2026?” is not a list of buildings. It is a corridor. ...

Theaster Gates’s June 2026 Freedmen’s Town Pavilion in Houston, co-designed with Sara Zewde of Studio Zewde, completes a sixteen-year arc that began in 2010 with the founding of Rebuild Foundation in Chicago. Read end to end, the Theaster Gates commissions catalogue is less a portfolio of artworks than a sustained argument that buildings — specifically the abandoned, the redlined, the bombed-out and the deconsecrated — are the strongest medium available to a Black American artist born in 1973 on the South Side. Stony Island Arts Bank, Huguenot House, Bristol’s Temple Church, the 2022 Serpentine Pavilion and the Houston pavilion belong to a single body of work, and the through-line is structural rather than stylistic. ...

Three statements anchor Japanese design at Milan Design Week 2026: Junya Ishigami’s Vitra pavilion — 280 square metres held up by 47 hair-thin steel columns at Weil am Rhein — Theaster Gates’s Chawan Cabinet at Prada Home, Via Montenapoleone 6, and Toshiko Mori becoming, this April, the first woman to take the AIA Gold Medal for Architecture in the Institute’s 119-year history. Around those three poles, a denser map: Koyori’s Salone debut, Karimoku’s “A Thoughtful Stay,” Hosoo’s “Wave Weave” with Carsten Nicolai, Kengo Kuma’s rugs at the Crespi Bonsai Museum, Noritake at Alcova’s Baggio Military Hospital, We+ casting aluminium from foundry burrs at Galleria Rubin, Roberto Sironi salvaging kominka beams with Sansui at Rossana Orlandi, and Hideo’s plant-derived bioresin tubs in Pavilion 10. This is the lineage; this is the map. ...

Prada’s annual presence at Milan Design Week has always been more intellectually ambitious than most fashion brands. While competitors build immersive brand worlds and photograph-ready installations, Prada runs Prada Frames — a symposium on the relationship between natural environment and design that produces more thinking than content. It is an unusual strategy for a luxury house founded in 1913, and it works precisely because it does not try to sell anything. This year, alongside the symposium, Prada presents Chawan Cabinet — an exhibition of ceramic tea bowls crafted by Japanese potters and curated by Chicago-based artist Theaster Gates, one strand of Japanese design at Milan Design Week 2026. It is the most restrained and, ultimately, the most powerful fashion-house presentation in Milan this April. ...