Lotus L. Kang's The Face of Desire Is Loss at Spazio Esedra in the Giardini and Lara Favaretto's Momentary Monument – The Library at the Biblioteca Marciana, both produced for Biennale Arte 2026 under Bvlgari's 2026–2030 exclusive partnership with La Biennale di Venezia.

Bvlgari Venice Biennale Partnership 2026–2030

For the first time in La Biennale di Venezia’s 130-year history, the institution has named an Exclusive Partner — Bvlgari, on a 2026–2030 contract that spans three editions of the Art Biennale and anchors a purpose-built Spazio Esedra pavilion in the Giardini and a Fondazione Bvlgari collateral show in the Marciana’s Salone Sansovino. This is what the Bvlgari Venice Biennale partnership actually is: not a sponsorship line in a catalogue, but a title invented for the occasion, written into the institution’s architecture of patronage so that the LVMH-owned Roman jeweller occupies a tier above every other corporate name attached to the 61st International Art Exhibition. No monetary figure has been disclosed, and we are not going to invent one. ...

May 19, 2026 · 14 min · 2796 words · FORMA Editorial
Painters and palazzi of the Venice Biennale 2026 — a topological survey from Cannaregio to San Giorgio Maggiore

Venice Biennale 2026 Painters and Palazzi

Eight painter and sculptor collateral shows fan out across Venice’s palazzi for the 2026 Biennale — and two of them, Baselitz and Barry X Ball, share an island. The Venice Biennale 2026 painters question is rarely answered properly because the answer is geographic, not alphabetical. The 61st International Art Exhibition runs 9 May to 22 November 2026, but the painter-and-sculptor collaterali opened on a staggered calendar between 25 April and 9 May, which means the city has been absorbing them one palazzo at a time. Hernan Bas at Ca’ Pesaro, Anish Kapoor at Palazzo Manfrin, Georg Baselitz at the Fondazione Giorgio Cini, Marina Abramović at the Gallerie dell’Accademia, Nalini Malani at the Magazzini del Sale, Sanya Kantarovsky at Palazzo Loredan, Barry X Ball inside Palladio’s basilica on San Giorgio Maggiore, and Fondazione Dries Van Noten at Palazzo Pisani Moretta — that is the list, and it does not move. ...

May 17, 2026 · 16 min · 3236 words · FORMA Editorial
Venice palazzo facade on the Grand Canal at dusk, with reflections in the water — banner image for FORMA's survey of palazzo takeovers at the 2026 Venice Art Biennale.

Venice Biennale 2026: Palazzo Takeovers, Venue by Venue

Eight Venetian palazzi and historic venues reopen across the same May weekend in 2026, each given over to a single artist or single curatorial pair, and the most-discussed shows of the 61st Venice Art Biennale are, almost without exception, not in the Giardini. The venice biennale palazzo takeovers this spring stretch from Anish Kapoor’s Palazzo Manfrin in Cannaregio to Fondazione Prada’s pairing of Arthur Jafa and Richard Prince at Ca’ Corner della Regina, with Marina Abramović inside the Gallerie dell’Accademia and Georg Baselitz, posthumously, on San Giorgio Maggiore. Read together they form a typology of how artists, foundations and institutions are now using Venice as a venue. ...

May 7, 2026 · 14 min · 2846 words · FORMA Editorial
Labics restored Central Pavilion at the Giardini and Palazzo Manfrin in Cannaregio across the 61st Venice Biennale geography

Venice Biennale 2026: Architecture of the Pavilions

Labics’s restoration of the Central Pavilion at the Giardini gives the 61st Venice Biennale its first updated architectural backbone since the 1948–1956 Carlo Scarpa interventions, and it sets the rhythm for the Venice Biennale 2026 architecture circuit that runs from Anish Kapoor’s Palazzo Manfrin in Cannaregio to Palladio’s Basilica of San Giorgio Maggiore. Koyo Kouoh’s “In Minor Keys” — the framework she signed off before her unexpected death in May 2025, and which her appointed team has realised posthumously — opens to the public on 9 May 2026 as a constellation rather than a single building. Read the venues first and the works second, and the curatorial argument is already legible in stone, brick, fresco and steel before any painting goes on a wall. ...

May 6, 2026 · 18 min · 3804 words · FORMA Editorial

Stay in the loop

New posts, occasionally. No spam.